Venice Cinema Mostra Film Festival
Venezia Classici 2022

The restored films of Venezia Classici 2022

The following is the complete line-up of the restorations in the section Venice Classics, selected for the 79th Venice Film Festival:

STELLA DALLAS – PRE-OPENING EVENT

by HENRY KING (USA, 1925, 110’, B/W)
restored by: The Museum of Modern Art (MoMA) / The Film Foundation

TERESA LA LADRA (TERESA THE THIEF)

by CARLO DI PALMA (Italy, 1973, 125’, colour)
restored by: Cineteca Nazionale

MES PETITES AMOUREUSES (MY LITTLE LOVES)

by JEAN EUSTACHE (France, 1974, 123’, colour)
restored by: Les Films du Losange

THE DRAUGHTSMAN'S CONTRACT

by PETER GREENAWAY (UK, 1982, 104’, colour)
restored by: BFI NATIONAL ARCHIVE

KAMIGAMI NO FUKAKI YOKUBO (PROFOUND DESIRES OF THE GODS)

by SHÔHEI IMAMURA (Japan, 1968, 173’, colour)
restored by: Nikkatsu

UCHO (THE EAR)

by KAREL KACHYNA (Czechoslovakia, 1969, 97’, B/W)
restored by: Národní Filmový Archiv / National Film Archive

BRATAN (THE LITTLE BROTHER)

by BAKHTYAR KHUDOJNAZAROV (USSR, 1991, 97’, B/W)
restored by: Veit Helmer-Filmproduktion

CAVALCADE

by FRANK LLOYD (USA, 1933, 112’, B/W)
restored by: The Film Foundation / Walt Disney Picture

THERESE AND ISABELLE

by RADLEY METZGER (France, USA, Germany, Netherlands, 1968, 119’, B/W)
restored by: NWR-Denmark / Cinema Preservation Alliance-U.S.

KAZE NO NAKA NO MENDORI (A HEN IN THE WIND)

by YASUJIRÔ OZU (Japan, 1948, 84’, B/W)
restored by: Shochiku

TEOREMA (THEOREM)

by PIER PAOLO PASOLINI (Italy, 1968, 98’, B/W)
restored by: Cineteca di Bologna

SHATRANJ KE KHILARI (THE CHESS PLAYERS)

by SATYAJIT RAY (India, 1977, 129’, colour)
restored by: The National Film Archive of India

LE CAPORAL ÉPINGLÉ (THE ELUSIVE CORPORAL)

by JEAN RENOIR (France, 1962, 107’, B/W)
restored by: StudioCanal

LA MARCIA SU ROMA (MARCH ON ROME)

by DINO RISI (Italy, 1962, 94’, B/W)
restored by: Cineteca Nazionale

LA VOGLIA MATTA (CRAZY DESIRE)

by LUCIANO SALCE (Italy, 1962, 110’, B/W)
restored by: Cineteca Nazionale

KOROSHI NO RAKUIN (BRANDED TO KILL)

by SEIJUN SUZUKI (Japan, 1967, 91’, B/W)
restored by: Nikkatsu

CANYON PASSAGE

by JACQUES TOURNEUR (USA, 1946, 92’, colour)
restored by: Universal Pictures / The Film Foundation

THE BLACK CAT

by EDGAR G. ULMER (USA, 1934, 65’, B/W)
restored by: Universal Pictures

DULI SHIDAI [A CONFUCIAN CONFUSION]

by EDWARD YANG (Taiwan, 1994, 128’, colour)
restored by: Taiwan Film and Audiovisual Institute

The Venice Classics section will also feature the presentation of a selection of documentaries about cinema and its filmmakers.

VENICE CLASSICS – DOCUMENTARIES ABOUT CINEMA

In Competition

RAGTAG

by GIUSEPPE BOCCASSINI
Germany, France, Italy / 84’

DESPERATE SOULS, DARK CITY AND THE LEGEND OF MIDNIGHT COWBOY

by NANCY BUIRSKI
USA / 101’

FRAGMENTS OF PARADISE

by K.D. DAVISON
USA / 97’

FRANCO ZEFFIRELLI, CONFORMISTA RIBELLE

by ANSELMA DELL’OLIO
Italy / 90’

JERRY SCHATZBERG, PORTRAIT PAYSAGE (JERRY SCHATZBERG, LANDSCAPE PORTRAIT)

by PIERRE FILMON
France / 46’

GODARD SEUL LE CINÉMA (GODARD CINEMA)

by CYRIL LEUTHY
France / 90’

THE GHOST OF RICHARD HARRIS

by ADRIAN SIBLEY
Irlanda, UK / 109’

BONNIE

by SIMON WALLON
USA / 90

SERGIO LEONE - L'ITALIANO CHE INVENTÒ L'AMERICA

Venice Cinema Mostra Film Festival Venezia Classici 2022